Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, th...(展开全部)

This book grew out of a sense that contemporary philosophy lacks a self-image that does it justice. Of the self-images that philosophy inherited from the twentieth century, the most prominent – natural-ism, the linguistic turn, postmodern irony, and so on – seemed obviously inadequate to most of the most interesting work in contemporary philosophy: as descriptions, false when b...(展开全部)

This book grew out of a sense that contemporary philosophy lacks a self-image that does it justice. Of the self-images that philosophy inherited from the twentieth century, the most prominent – natural-ism, the linguistic turn, postmodern irony, and so on – seemed obviously inadequate to most of the most interesting work in contemporary philosophy: as descriptions, false when b...(展开全部)

The second volume in the Blackwell Brown Lectures in Philosophy, this volume offers an original and provocative take on the nature and methodology of philosophy. * Based on public lectures at Brown University, given by the pre-eminent philosopher, Timothy Williamson* Rejects the ideology of the 'linguistic turn', the most distinctive trend of 20th century philosophy* Explains ...(展开全部)

The second volume in the Blackwell Brown Lectures in Philosophy, this volume offers an original and provocative take on the nature and methodology of philosophy. * Based on public lectures at Brown University, given by the pre-eminent philosopher, Timothy Williamson* Rejects the ideology of the 'linguistic turn', the most distinctive trend of 20th century philosophy* Explains ...(展开全部)

In this classic work of intellectual history, Ernst Cassirer provides both a cogent synthesis and a penetrating analysis of one of history's greatest intellectual epochs: the Enlightenment. Arguing that there was a common foundation beneath the diverse strands of thought of this period, he shows how Enlightenment philosophers drew upon the ideas of the preceding centuries even ...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

丹纳（1828—1893） 法国史学家兼文学评论家。实证主义的杰出.使用一于律师家庭。自幼博闻强记，二十岁时以第一名考入国立高等师范，专攻哲学。曾任巴黎美术学校美术史和美学教授。著有《拉封丹及其寓言》、《英国文学史》、《十九世纪法国哲学家研究》、《论智力》、《现代法兰西渊源》、《意大利游记》、《艺术哲学》等。